Hello my loves,
Bringing you the first episode of Storm Stereo for InterSonik Net Radio, where you’ll be able to catch the show every Wednesday night, 22:00–00:00 (EET) on intersonik.net. I’ll also be DJ-ing some Storm Stereo faves on Saturday, December 23 at B-Side Bar, so come say hello if you’re about Athenstown.
On with the show! Included in this episode of Storm Stereo are a favourite by living inspiration Cosey Fanni Tutti, plus stellar tracks by Suzanne Cianni, Damien Dubrovnik (accidentally said Croatian Amor on air!) and Bill Kouligas, all three of whom played wicked electronic and experimental music festivals this year, such as Milano’s Terraforma, Berlin Atonal and Unsound in Kraków. PAN label-master Kouligas also recently played Plisskën Festival in Athens, as did Ethiopian jazz genius Mulatu Astatke (whom we also hear on this show) and both of them were superb, each in their own unique way – go see them if they’re coming through your town!
We also listen to a couple recent/upcoming reissues. First, an instant classic and perhaps my #1 record for 2017, Japanese instrumental minimalist Midori Takada (out on WRWTFWW Records), Solid Space, an early-’80s British duo who wrote a brilliant minimal-wave record packed with distinct and memorable gems (out on Dark Entries who are also helping with the much-anticipated Lena Platonos documentary λπ – Lambda Pi), and synth pioneer Pauline Anne Strom and her spacey synth ambient LP Trans-Millenia Music (out on RVNG Intl. Records).
Also on this show, the master Moondog because he’s always relevant, plus commanding and evocative tunes from Cameroon’s Hamad Kalkaba and Capo Verde’s Antonio Sanches, both from excellent releases (with incredible stories) on Analog Africa, a label with impressive consistency and quality to its truly original catalog.
November was a busy month, and not least because I went to London and saw great bands at Static Shock Festival (fest highlights set coming next week) and amazing modern art at Tate Modern (hello wall of Jenny Holzer wisdom!) and Everything at Once at 180 the Strand (field recordings project featuring sounds from this and other 2017 trips coming early 2018). The exhibit has been extended until December 14, I highly recommend you go and see it if you’re in London and have the chance.
So many inspiring pieces at this exhibit. Shirazeh Houshiary’s Breath, a mainly audio installation that featured Buddhist, Christian, Jewish and Islamic prayers, all played at once (one from each point of the compass, rising and falling in intensity), in a small, almost pitch-back, square room.
Haroon Mirza’s Sonakinatography Composition III, a light installation that focuses on the sounds made by the changing electric current of the coloured lamps used, creating a beautiful and vibrant light and audio composition.
Arthur Jafa’s Love is the Message, the Message is Love, a beautiful, painful, moving, powerful (and I want to believe ultimately empowering) video collage/vision of contemporary Black America, set to Kanye West’s ‘Ultralight Beam’, that watches like a music video but speaks like a prayer.
Jennifer Allora and Guillermo Calzadilla’s Solar Catastrophe (featured image), made from ‘discarded polycrystalline solar panel cells’ that reflect the light and change colour as you move around the canvas, highlighting the process of ‘greenwashing‘.
Tatsuo Miyajima’s Time Waterfall, with numbers from 1 to 9 projected onto a wall, varying sizes ‘falling’ at varying speeds, representing our passage through time.
Until next week… just be thankful for what you’ve got.
With love from outer space,